Title | Year | Status | Character |
---|
Whispering Smith | 1948 | special photographic effects | |
Miss Tatlock's Millions | 1948 | special photographic effects | |
Sealed Verdict | 1948 | special photographic effects | |
Isn't It Romantic? | 1948 | special photographic effects | |
Sorry, Wrong Number | 1948 | special photographic effects | |
A Foreign Affair | 1948 | special photographic effects | |
Dream Girl | 1948 | special photographic effects | |
Hazard | 1948 | special photographic effects | |
The Emperor Waltz | 1948 | special photographic effects | |
The Sainted Sisters | 1948 | special photographic effects | |
Saigon | 1948 | special photographic effects | |
The Big Clock | 1948 | special photographic effects | |
Road to Rio | 1947 | special photographic effects | |
Where There's Life | 1947 | special photographic effects | |
Unconquered | 1947 | director of photographic effects | |
Variety Girl | 1947 | special photographic effects | |
Golden Earrings | 1947 | special photographic effects | |
Desert Fury | 1947 | special photographic effects | |
The Perils of Pauline | 1947 | special photographic effects | |
The Trouble with Women | 1947 | special photographic effects | |
Blaze of Noon | 1947 | special photographic effects | |
The Imperfect Lady | 1947 | optical effects | |
Calcutta | 1947 | special photographic effects | |
My Favorite Brunette | 1947 | special photographic effects | |
Easy Come, Easy Go | 1947 | special photographic effects - uncredited | |
California | 1947 | special photographic effects | |
Ladies' Man | 1947 | special photographic effects - uncredited | |
Cross My Heart | 1946 | special photographic effects | |
Blue Skies | 1946 | special photographic effects | |
Monsieur Beaucaire | 1946 | special photographic effects | |
The Strange Love of Martha Ivers | 1946 | special optical effects - uncredited | |
The Searching Wind | 1946 | miniatures - uncredited / special optical effects - uncredited | |
Our Hearts Were Growing Up | 1946 | special optical effects - uncredited | |
O.S.S. | 1946 | special photographic effects | |
The Well-Groomed Bride | 1946 | special photographic effects | |
The Bride Wore Boots | 1946 | special photographic effects | |
The Virginian | 1946 | special photographic effects | |
To Each His Own | 1946 | special photographic effects | |
Two Years Before the Mast | 1946 | special photographic effects | |
The Stork Club | 1945 | special photographic effects - uncredited | |
Masquerade in Mexico | 1945 | special photographic effects | |
The Lost Weekend | 1945 | special photographic effects | |
Hold That Blonde! | 1945 | special photographic effects | |
Road to Utopia | 1945 | special photographic effects | |
Kitty | 1945 | special photographic effects | |
Duffy's Tavern | 1945 | matte painter - uncredited / miniatures - uncredited / special photographic effects | |
Love Letters | 1945 | special photographic effects | |
Incendiary Blonde | 1945 | special photographic effects - uncredited | |
You Came Along | 1945 | special photographic effects - uncredited | |
Murder, He Says | 1945 | special photographic effects | |
The Unseen | 1945 | special photographic effects - uncredited | |
A Medal for Benny | 1945 | special photographic effects | |
Salty O'Rourke | 1945 | special photographic effects - uncredited | |
It's a Pleasure | 1945 | matte paintings - uncredited | |
Bring on the Girls | 1945 | matte paintings - uncredited / special photographic effects - uncredited | |
Practically Yours | 1944 | special photographic effects | |
Here Come the Waves | 1944 | special photographic effects | |
Frenchman's Creek | 1944 | special photographic effects | |
Rainbow Island | 1944 | special photographic effects | |
Our Hearts Were Young and Gay | 1944 | special photographic effects | |
Till We Meet Again | 1944 | special photographic effects | |
The Hour Before the Dawn | 1944 | special photographic effects | |
Going My Way | 1944 | special photographic effects | |
The Story of Dr. Wassell | 1944 | special photographic effects | |
The Negro Soldier | 1944 | Documentary short photographic effects - uncredited | |
The Uninvited | 1944 | special photographic effects - uncredited | |
Lady in the Dark | 1944 | special photographic effects | |
So Proudly We Hail! | 1943 | special photographic effects | |
Hostages | 1943 | special photographic effects | |
Let's Face It | 1943 | special photographic effects | |
For Whom the Bell Tolls | 1943 | special photographic effects | |
Dixie | 1943 | special photographic effects | |
China | 1943 | special photographic effects | |
No Time for Love | 1943 | special photographic effects | |
Road to Morocco | 1942 | special photographic effects | |
I Married a Witch | 1942 | special photographic effects | |
The Forest Rangers | 1942 | special photographic effects | |
Wake Island | 1942 | special photographic effects | |
Beyond the Blue Horizon | 1942 | special photographic effects | |
This Gun for Hire | 1942 | special photographic effects | |
Reap the Wild Wind | 1942 | special photographic effects | |
The Great Man's Lady | 1942 | special photographic effects | |
Aloma of the South Seas | 1941 | special photographic effects | |
I Wanted Wings | 1941 | special photographic effects | |
North West Mounted Police | 1940 | special photographic effects | |
Mystery Sea Raider | 1940 | special photographic effects | |
Typhoon | 1940 | special photographic effects | |
Dr. Cyclops | 1940 | special photographic effects - uncredited | |
Rulers of the Sea | 1939 | special photographic effects | |
Union Pacific | 1939 | special photographic effects | |
St. Louis Blues | 1939 | special photographic effects | |
Zaza | 1938 | special photographic effects | |
If I Were King | 1938 | special photographic effects | |
Spawn of the North | 1938 | special photographic effects | |
Men with Wings | 1938 | special photographic effects | |
Her Jungle Love | 1938 | volcanic sequence executed by | |
The Big Broadcast of 1938 | 1938 | special photographic effects | |
Wells Fargo | 1937 | special photographic effects | |
Every Day's a Holiday | 1937 | special photographic effects | |
Ebb Tide | 1937 | special photographic effects | |
Souls at Sea | 1937 | special photographic effects | |
Artists & Models | 1937 | special photographic effects | |
High, Wide, and Handsome | 1937 | special photographic effects | |
Make Way for Tomorrow | 1937 | special photographic effects | |
Champagne Waltz | 1937 | special photographic effects | |
The Plainsman | 1936 | special photographic effects - uncredited | |
The Big Broadcast of 1937 | 1936 | special photographic effects | |
The General Died at Dawn | 1936 | special photographic effects | |
Rhythm on the Range | 1936 | special photographic effects | |
13 Hours by Air | 1936 | special photographic effects | |
Give Us This Night | 1936 | special photographic effects | |
Anything Goes | 1936 | special photographic effects - uncredited | |
Peter Ibbetson | 1935 | special photographic effects | |
The Big Broadcast of 1936 | 1935 | special photographic effects | |
The Crusades | 1935 | technical effects | |
The Scarlet Empress | 1934 | special photographic effects - uncredited | |
Death Takes a Holiday | 1934 | technical effects | |
Alice in Wonderland | 1933 | technical effects | |
One Sunday Afternoon | 1933 | special photographic effects - uncredited | |
This Day and Age | 1933 | special photographic effects - uncredited | |
Three Cornered Moon | 1933 | special photographic effects - uncredited | |
Midnight Club | 1933 | special photographic effects - uncredited | |
Mama Loves Papa | 1933 | special photographic effects - uncredited | |
King of the Jungle | 1933 | trick photography - uncredited | |
Island of Lost Souls | 1932 | special photographic effects - uncredited | |
Forever Female | 1953 | special photographic effects | |
Little Boy Lost | 1953 | special photographic effects | |
Here Come the Girls | 1953 | special photographic effects | |
Houdini | 1953 | special photographic effects | |
Stalag 17 | 1953 | special photographic effects | |
Scared Stiff | 1953 | special photographic effects | |
Shane | 1953 | special photographic effects | |
The Girls of Pleasure Island | 1953 | special photographic effects | |
The Stars Are Singing | 1953 | special photographic effects | |
The War of the Worlds | 1953 | special photographic effects | |
Off Limits | 1952 | special photographic effects | |
Botany Bay | 1952 | special photographic effects | |
Come Back, Little Sheba | 1952 | special photographic effects | |
Road to Bali | 1952 | special photographic effects | |
The Turning Point | 1952 | special photographic effects | |
Somebody Loves Me | 1952 | special photographic effects | |
Just for You | 1952 | special photographic effects | |
The Savage | 1952 | special photographic effects | |
Son of Paleface | 1952 | special photographic effects | |
Jumping Jacks | 1952 | special photographic effects | |
The Atomic City | 1952 | special photographic effects | |
My Son John | 1952 | special photographic effects | |
Anything Can Happen | 1952 | special photographic effects | |
Aaron Slick from Punkin Crick | 1952 | special photographic effects | |
Sailor Beware | 1952 | special photographic effects | |
The Greatest Show on Earth | 1952 | special photographic effects | |
Thunder in the East | 1951 | special photographic effects | |
My Favorite Spy | 1951 | special photographic effects | |
The Stooge | 1951 | special photographic effects | |
Submarine Command | 1951 | special photographic effects | |
Rhubarb | 1951 | special photographic effects | |
Peking Express | 1951 | special photographic effects | |
A Place in the Sun | 1951 | special photographic effects | |
Let's Dance | 1950 | special photographic effects | |
September Affair | 1950 | special photographic effects | |
Sunset Blvd. | 1950 | special photographic effects | |
The Furies | 1950 | special photographic effects | |
Fancy Pants | 1950 | special photographic effects | |
My Friend Irma Goes West | 1950 | special photographic effects | |
Captain Carey, U.S.A. | 1950 | special photographic effects | |
No Man of Her Own | 1950 | special photographic effects | |
The File on Thelma Jordon | 1950 | special photographic effects | |
Paid in Full | 1950 | special photographic effects | |
Samson and Delilah | 1949 | director of photographic effects | |
The Great Lover | 1949 | special photographic effects | |
Song of Surrender | 1949 | special photographic effects | |
The Heiress | 1949 | special photographic effects | |
My Friend Irma | 1949 | special photographic effects | |
Top o' the Morning | 1949 | special photographic effects | |
Rope of Sand | 1949 | special photographic effects | |
The Great Gatsby | 1949 | special photographic effects | |
Sorrowful Jones | 1949 | special photographic effects | |
A Connecticut Yankee in King Arthur's Court | 1949 | special photographic effects | |
Bride of Vengeance | 1949 | special photographic effects | |
My Own True Love | 1949 | special photographic effects | |
The Accused | 1949 | special photographic effects | |
The Paleface | 1948 | special photographic effects | |