Spangler Arlington Brugh Net Worth
Spangler Arlington Brugh Net Worth is
$18 Million
Spangler Arlington Brugh Bio/Wiki, Net Worth, Married 2018
Born Spangler Arlington Brugh, Robert Taylor began displaying a diversity of talents in his youth on the plains of Nebraska. At Beatrice High School, he was a standout track athlete, but also showed a talent for using his voice, winning several oratory awards. He was a musician and played the cello in the school orchestra. After graduating he ... Date Of Birth | August 5, 1911 |
Place Of Birth | Filley, Nebraska, USA |
Height | 5' 11½" (1.82 m) |
Profession | Actor, Soundtrack |
Star Sign | Leo |
Title | Salary |
---|---|
Murder in the Fleet (1935) | $59 a week |
West Point of the Air (1935) | $59 a week |
Times Square Lady (1935) | $59 a week |
There's Always Tomorrow (1934) | $35 a week |
Handy Andy (1934) | $35 a week |
# | Quote |
---|---|
1 | [about Louis Mayer] Some writers have implied that Mayer was tyrannical and abusive, and a male prima donna who out-acted his actors. As I knew him, he was kind, fatherly, understanding, ad protective. He gave me picture assignments up to the level that my abilities could sustain at the time and was always there when I had problems. I just wish today's young actors had a studio ad boss like I had. It groomed us carefully, kept us busy in picture after picture, thus giving us exposure, and made us stars. My memories of L. B. will always be pleasant. and my days at MGM are my happiest period professionally. |
2 | If I didn't need the money I make on TV, I tell myself I'd hunt and fish all the time. Ernest Hemingway and Gary Cooper got me interested in it years ago, and looking forward to hunting and fishing has often, in this business, kept me from going nuts. |
3 | People seem to think I'm a millionaire, but I'm not. I've saved a little money but every time a chance came along to strike it rich outside the movie business, like the real estate deals of some stars, I was always a dollar short or a day late. It's the story of my life. |
4 | My metabolism doesn't lend itself to the Davis-Cagney brand of high-pressure careering. I stayed with one studio for 20 years, took what they gave me to do, did my work. While I wasn't happy with everything, I scored pretty well. |
5 | Working with Greta Garbo during the making of Camille (1936) was an inspiring experience I'll never forget and that, doubtless, will leave its mark. |
6 | Looks are good or bad, according to taste. My appearance doesn't fascinate me. But I'm not the one who has to be pleased either. It's a big help to an actor if people like to look at him but it has nothing to do with acting. |
7 | [on Gary Cooper, after his death] Coop was the handsomest man- certainly one of the two or three best actors-ever to honor the ranks of the motion picture business. He was a very special man, darling, a very talented man, and probably felt forgotten. You can't afford to get old in this business. It just walks away from you. |
8 | "Know yourself", said the wise old Greeks. That is the simple but profound maxim which, I am convinced, has been largely responsible for my feet stepping firmly up the movie ladder. Unless you do know yourself, your capabilities, and--what is perhaps more important still--your limitations, then opportunity will go on knocking on your door in vain. If you analyze yourself and find out your own strength and weaknesses, then you have taken the first step towards understanding others and being able to interpret them. In its more direct application to the film business this will result in there being less likelihood of any miscasting. And, by carrying out these principles I very soon learned to resist the temptation of "flying high" and playing roles for which I was temperamentally and physically unsuited.I have rigorously kept to that rule of only playing roles for which I know myself to be fitted. |
9 | [on ex-wife Barbara Stanwyck] She is one of the finest actresses in show business. A lot of young actors and actresses could have profited then and now from a few "seminars" with "Missy" on their professional attitudes--their regard for the business of being an actor--on their on-stage and off-stage deportment as it were, because I doubt that there ever has been, or ever will be, a greater ":pro" than Barbara. |
10 | [on Vivien Leigh] She was one of the most beautiful and talented ladies ever to grace a motion picture screen. |
11 | I do remember one event during this time [1923] that seemed to me then to be some sort of landmark. This occurred when I was twelve, an emergency operation had to be performed on a snow-bound settler. The temperature was 12 below zero, but that didn't matter. A man's life was at stake--and so the operation had to go on. The kitchen table of the settler's humble home was our operating table, and it fell to my lot to assist my father by getting the hot water ready, and sterilizing the instruments, after which there was nothing left for me to do except to watch, in a sort of half-hypnotized way, as the delicate incisions were made and the operation duly completed successfully. |
12 | When I went to college at Pomona, California, I still had no clear idea as to what I wanted to do. The operation on the settler must have made some sort of imprint on my mind, for I remember playing about with the idea of studying medicine. But I soon changed my mind, and, throwing overboard all intentions of wielding a scalpel, I took up economics! Sounds strange, doesn't it? And, from economics, I drifted to psychology, where, for the first time, I "took root". The subject interested me, and, in a very short time, I found myself studying it pretty deeply. But fate was already mapping out a different sort of career for me. |
13 | A screen metamorphosis is more psychology than histrionics. The thing is to analyze the character you are playing and then the various stages of self-development become a logical outgrowth of that individual finding himself. |
14 | These investigations, the way they are being run in Washington at the moment, remind me more of a three-ring circus than of a sincere effort to rid the country of a real threat. There's nothing any of us are going to tell them in Washington that the FBI didn't know five years ago. Maybe it's easier to call twenty friendly names from Hollywood than to have a look at the FBI files! Maybe it's better publicity for the home-state electorate, too! |
15 | [October 23, 1947] I can name a few who seem to sort of disrupt things once in awhile. Whether or not they are Communists I don't know . . . One chap we have currently, I think, is Mr. Howard Da Silva. He always seems to have something to say at the wrong time. Miss Karen Morley also usually appears at the guild meetings. |
16 | [about his role in Devil's Doorway (1950)] I admired the characterization because of the fact that the Indian, previously considered the "heavy" in early Westerns, is a regular guy. For once he gets a chance to tell his side of the story. |
17 | In my freshman year [1929] I played the leading role in the campus performance "Helena's Boys", greatly to the disgust of Professor Gray [Herbert B. Gray. Taylor's cello teacher from 1925 to 1931], who wanted to know why I fiddled about with such nonsense. He said that I should concentrate on the cello, that I had the makings of a concert artist, what had I to do with "playacting"? I couldn't tell him. I didn't know myself. I don't know now. I only know that there was something in the musty smell of backstage that I like. |
18 | I got $35 a week and my mother, grandmother and I had to live on it. There was that awful night when I realized we had one thin dime in the world. I had been studying hard at the studio, trying to do everything they told me. But I seemed to be getting nowhere, and getting there fast. I had nothing and no prospects of ever getting anywhere. I hadn't any chance of being a success in this business but I had confidence in myself. I knew I could land something - maybe a salesman's job - and make more money than I had been getting. We would be all right, then. In the morning I went to Mr. Louis B. Mayer and asked him to release me from my contract... |
19 | [About his childhood in Nebraska] I was not--I still am not--gregarious. I was then as I am now, uneasy when I am with more than one person. I preferred being alone on the prairie or in the woods, to playing football with the gang. After the school I didn't play with the other kids. I liked to be alone by myself. An I was alone. I never ran with a group. I wasn't unhappy. On the contrary, I read a lot. I wasn't at all the dreamy sort. I had my horse. I had my bike. I always had a flock of animals to care for. I just had enough to do on my own and that's how I preferred to do and be. |
20 | It's happens that I like the people of Nebraska. They're the best, the most hospitable, the most honest, the most trustworthy people in our whole darned country. And you lucky Nebraskans who are still living there just believe me. I've been a lot of places, and I have met a lot of people, and I still say Nebraskaland has the best hunting and the best people in the whole country. |
21 | I must confess that I objected strenuously to doing Song of Russia (1944) at the time it was made. I felt that it, to my way of thinking at least, did contain Communist propaganda. |
22 | I was this punk kid from Nebraska who had an awful lot of the world's good things tossed in his lap. |
23 | For seventeen years it was Mr. Mayer [MGM studio chief Louis B. Mayer] who guided me, and I never turned down a picture that he personally asked me to do. |
24 | Acting is the easiest job in the world, and I'm the luckiest guy. All I have to do is be at the studio on time, and know my lines. The wardrobe department tells me what to wear, the assistant director tells me where to go, the director tells me what to do. What could be easier? |
# | Fact |
---|---|
1 | Was a Boy Scout. |
2 | "Magnificent Obsession" was the film that made Taylor a major star. It did the same for Rock Hudson when Universal remade it in 1954. |
3 | Taylor was given his first screen test by Samuel Goldwyn with a 14 day option in 1933, but nothing came of it. |
4 | After he appeared before the House Committee on Un-American Activities Taylor's films were banned in Soviet-occupied Hungary and Czechoslovakia, and Communists called for a boycott of his films in France. |
5 | Taylor's only musical was "Broadway Melody of 1936." He sang for the only time in his career, a song called "I've Got a Feeling You're Fooling.". |
6 | Joined the historical theatrical club, The Lambs, in 1939. |
7 | He had started smoking in his early teens, and had often smoked three packets of cigarettes a day as an adult. |
8 | He starred in the first pro-Indian movie of the American cinema: Devil's Doorway (1950) first Anthony Mann's western, although Broken Arrow (1950) was released one month before. Devil's Doorway was completed first but held back from release due to the nervousness of MGM's studio brass over the subject matter. |
9 | After their divorce, his ex-wife Barbara Stanwyck auctioned off their $100,000 home at 423 North Faring Road, in the Bel-Air section of Los Angeles, and all its furnishings, and collected 15 percent of Taylor's earnings until he died in 1969. |
10 | He was a music major at Doane College from 1929 to 1931 and played the cello in the trio "The Harmony Boys", the Doane String Quartet, and in the Doane Symphony Orchestra in Nebraska. When he was in Hollywood, he regularly attended the annual concerts given each year at the Hollywood Bowl. |
11 | In a feature in the May 21, 1961 Family Weekly magazine, Taylor stated he became a hunter during his more mature years after he met actor Gary Cooper at Sun Valley, Idaho in 1939. Occasional hunting companions of note were novelist Ernest Hemingway and actors Wallace Beery, Clark Gable, Robert Stack and John Wayne. |
12 | He was diagnosed with lung cancer in the spring of 1968, having been feeling increasingly breathless and tired for some time. He immediately underwent cobalt treatment, however he did not give up smoking until shortly before undergoing major surgery to remove his entire right lung on 8 October 1968. |
13 | His lifelong hobbies included hunting, fishing, flying and writing letters. |
14 | The twelve-mile section of U.S. Highway 136 between Beatrice and Filley was officially designated as the Robert Taylor Memorial Highway in 1994 (Source: Gage County Historical Society, Beatrice, Nebraska). |
15 | His flying interest emerged after the movie Flight Command (1940), when he bought a single-engine plane and took lessons for a pilot's license. After World War II, when he served in the U.S. Navy from 1943 to 1945 as a flight instructor and narrator of 17 trainings films, MGM bought him a twin-engine Beechcraft which he flew regularly until the early 1960s. |
16 | He inspired the fictional character called Danger: Diabolik (1968), an anti-hero featured in Italian comics. Diabolik was created by sisters Angela and Luciana Giussani in 1962, and his features was graphically inspired by Taylor: dark hair with a distinctive widow's peak, and striking blue eyes and eyebrows. |
17 | He left his signatures, footprints and handprints in the cement in the forecourt of Grauman's Chinesse Theater in Hollywood, together with Barbara Stanwyck, on June 11, 1941. |
18 | He was ranked fourth in Box Office appeal in 1936, third in 1937 and sixth in 1938. |
19 | He was the first American actor to star in film made in England - A Yank at Oxford (1938). |
20 | He and Clark Gable were very good friends, and Taylor was one of the active pallbearers at Gable's funeral in November 1960. |
21 | His second favorite movie was Camille (1936) and his favorite co-star was Greta Garbo. |
22 | Supported Thomas E. Dewey in the 1944 and 1948 presidential elections, and Dwight D. Eisenhower in the 1952 and 1956 elections. |
23 | Four episodes of "The Robert Taylor Show" had been produced and a fifth was in line at the time of the sudden cancellation of the unaired series in the summer of 1963. Scripts had been written by Bruce Geller, Leonard Freeman, Tom Seller, and Lawrence Edward Watkin. NBC felt the new series was too controversial. |
24 | Following the success of Knights of the Round Table (1953) Taylor's movie career declined. He managed to remain at MGM until 1958, when he signed for his own television series, The Detectives (1959). |
25 | Actively supported Ronald Reagan's campaign to become the Republican Governor of California in 1966. |
26 | After the war he joined The Motion Picture Alliance for the Preservation of American Ideals founded in February of 1944 by Sam Wood and Walt Disney. |
27 | He was romantically involved with actresses Virginia Bruce, Irene Hervey, Lia Di Leo, Virginia Grey and Eleanor Parker. |
28 | His funeral was attended by many Hollywood celebrities and Ronald Reagan, the Governor of California, gave the eulogy. |
29 | The favorite of all his films was Waterloo Bridge (1940). |
30 | Is portrayed by Terrence E. McNally in The Silent Lovers (1980) |
31 | He was called "The New King", after Clark Gable's departure from MGM in 1953. |
32 | After doctor's predicted that Taylor's mother would die before the age of 30, his father became a doctor for the express purpose of curing her of childhood invalidism and was ultimately successful. |
33 | Right-handed Taylor spent weeks perfecting his ability to draw a gun with his left hand in preparation for his role in Billy the Kid (1941). |
34 | He holds Hollywood record for longest contract with one studio (MGM) 24 years from early 1934 to late 1958 and he holds Hollywood record for lowest contract salary (initially $35 a week, in 1934). |
35 | 2 children with Ursula Thiess: Terrance (b. June 18, 1955) and Tessa (b. 1959) |
36 | Inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1970. |
37 | Interred at Forest Lawn, Glendale, California, USA, in the Garden of Honor, Columbarium of the Evening Star. (Not accessible to the general public). |
38 | Directed 17 United States Navy training films during World War II. |
Actor
Title | Year | Status | Character |
---|---|---|---|
Death Valley Days | 1966-1969 | TV Series | Himself - Host / Ben Cotterman / Texas John Slaughter / ... |
The Day the Hot Line Got Hot | 1968 | Anderson | |
Where Angels Go Trouble Follows! | 1968 | Mr. Farriday: The 'In' Group | |
Hondo | 1967 | TV Series | Gallagher |
Hondo and the Apaches | 1967 | TV Movie | Gallagher |
The Glass Sphinx | 1967 | Prof. Karl Nichols | |
Return of the Gunfighter | 1967 | Ben Wyatt | |
Savage Pampas | 1966 | Capt. Martín | |
Johnny Tiger | 1966 | George Dean | |
The Night Walker | 1964 | Barry Morland | |
A House Is Not a Home | 1964 | Frank Costigan | |
Cattle King | 1963 | Sam Brassfield | |
Miracle of the White Stallions | 1963 | Col. Podhajsky | |
The Robert Taylor Show | 1963 | TV Series | Christopher Logan |
The Detectives | 1959-1962 | TV Series | Det. Capt. Matt Holbrook |
The House of the Seven Hawks | 1959 | John Nordley | |
Killers of Kilimanjaro | 1959 | Robert Adamson | |
The Hangman | 1959 | Mackenzie Bovard | |
Party Girl | 1958 | Thomas Farrell | |
The Law and Jake Wade | 1958 | Jake Wade | |
Saddle the Wind | 1958 | Steve Sinclair | |
Tip on a Dead Jockey | 1957 | Lloyd Tredman | |
The Power and the Prize | 1956 | Cliff Barton | |
D-Day the Sixth of June | 1956 | Capt. Brad Parker | |
The Last Hunt | 1956 | Charlie Gilson | |
Quentin Durward | 1955 | Quentin Durward | |
Many Rivers to Cross | 1955 | Bushrod Gentry | |
Rogue Cop | 1954 | Det. Sgt. Christopher Kelvaney | |
Valley of the Kings | 1954 | Mark Brandon | |
Knights of the Round Table | 1953 | Lancelot | |
All the Brothers Were Valiant | 1953 | Joel Shore | |
Ride, Vaquero! | 1953 | Rio | |
Above and Beyond | 1952 | Lt. Col. Paul W. Tibbets 509th Composite Group CO (Pilot of Enola Gay) | |
Ivanhoe | 1952 | Ivanhoe | |
Westward the Women | 1951 | Buck Wyatt | |
Quo Vadis | 1951 | Marcus Vinicius | |
Devil's Doorway | 1950 | Lance Poole | |
Ambush | 1950 | Ward Kinsman | |
Conspirator | 1949 | Maj. Michael Curragh | |
The Bribe | 1949 | Rigby | |
High Wall | 1947 | Steven Kenet | |
Undercurrent | 1946 | Alan Garroway | |
Song of Russia | 1944 | John Meredith | |
Bataan | 1943 | Sergeant Bill Dane | |
The Youngest Profession | 1943 | Robert Taylor | |
Stand by for Action | 1942 | Lt. Gregg Masterman | |
Her Cardboard Lover | 1942 | Terry Trindale | |
Johnny Eager | 1941 | Johnny Eager | |
When Ladies Meet | 1941 | Jimmy Lee | |
Billy the Kid | 1941 | Billy Bonney | |
Flight Command | 1940 | Ensign Alan Drake | |
Escape | 1940 | Mark Preysing | |
Waterloo Bridge | 1940 | Roy Cronin | |
Remember? | 1939 | Jeff Holland | |
Lady of the Tropics | 1939 | Bill Carey | |
Lucky Night | 1939 | Bill Overton | |
Stand Up and Fight | 1939 | Blake Cantrell | |
The Crowd Roars | 1938 | Tommy McCoy | |
Three Comrades | 1938 | Erich Lohkamp | |
A Yank at Oxford | 1938 | Lee Sheridan | |
Broadway Melody of 1938 | 1937 | Steve Raleigh | |
This Is My Affair | 1937 | Lieutenant Richard L. Perry | |
Personal Property | 1937 | Raymond Dabney aka Ferguson | |
Camille | 1936 | Armand Duval | |
The Gorgeous Hussy | 1936 | 'Bow' Timberlake | |
His Brother's Wife | 1936 | Chris Claybourne | |
Private Number | 1936 | Richard Winfield | |
Small Town Girl | 1936 | Dr. Robert 'Bob' Dakin | |
Magnificent Obsession | 1935 | Robert Merrick | |
Broadway Melody of 1936 | 1935 | Bob Gordon | |
Murder in the Fleet | 1935 | Lt. Tom Randolph | |
West Point of the Air | 1935 | Jaskarelli | |
Times Square Lady | 1935 | Steve Gordon | |
Society Doctor | 1935 | Dr. Ellis | |
Buried Loot | 1935 | Short | Al Douglas (uncredited) |
A Wicked Woman | 1934 | Bill Renton | |
There's Always Tomorrow | 1934 | Arthur White | |
The Spectacle Maker | 1934 | Short | The Duchess's Paramour (uncredited) |
Handy Andy | 1934 | Lloyd Burmeister |
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
That's Entertainment, Part II | 1976 | Documentary performer: "I've Got a Feelin' You're Foolin'" 1935 - uncredited | |
Teresa la ladra | 1973 | performer: "Auld Lang Syne" - uncredited | |
Tip on a Dead Jockey | 1957 | performer: "You Found Me and I Found You" | |
Ivanhoe | 1952 | performer: "The Song of Ivanhoe" 1952 - uncredited | |
Her Cardboard Lover | 1942 | "I Dare You" 1942, uncredited / performer: "I Dare You" 1942, "Frühlingslied Spring Song Op.62 #6" 1842 - uncredited | |
When Ladies Meet | 1941 | performer: "Jeanie With the Light Brown Hair" 1854 - uncredited | |
Waterloo Bridge | 1940 | performer: "It's a Long, Long Way to Tipperary" 1912, "Candlelight Waltz" 1940, "Auld Lang Syne" - uncredited | |
Lucky Night | 1939 | performer: "Chopsticks" 1877 - uncredited | |
Three Comrades | 1938 | performer: "Ach, wie ist's möglich dann", "The Comrade Song" 1938 - uncredited | |
A Yank at Oxford | 1938 | "Yankee Doodle", "Over There" 1917, uncredited | |
Broadway Melody of 1938 | 1937 | performer: "Yours and Mine" 1937 - uncredited | |
This Is My Affair | 1937 | "I Hum a Waltz" 1937, uncredited | |
Broadway Melody of 1936 | 1935 | "You Are My Lucky Star" 1935, uncredited / performer: "I've Got a Feelin' You're Foolin'" 1935 - uncredited | |
Times Square Lady | 1935 | "The Object Of My Affection" 1934, uncredited / performer: "The Object Of My Affection" 1934 - uncredited |
Self
Title | Year | Status | Character |
---|---|---|---|
Screen Actors | 1950 | Documentary short | Himself (uncredited) |
The Actor's Society Benefit Gala | 1949 | TV Movie | Himself - Performer |
The Secret Land | 1948 | Documentary | Narrator (voice, as Lt. Robert Taylor U.S.N.R.) |
The Fighting Lady | 1944 | Documentary | Narrator (voice, as Lieut Robert Taylor USNR) |
Primary Flight Instruction: Stearman N2-S Part 1 | 1943 | Documentary | Instructor |
Primary Flight Instruction: Stearman N2-S Part 2 | 1943 | Documentary | Instructor |
Screen Snapshots Series 19, No 6: Hollywood Recreations | 1940 | Documentary short | Himself |
Verdensberømtheder i København | 1939 | Short | Himself |
Screen Snapshots Series 18, No. 9 | 1939 | Documentary short | Himself, Horse Show Attendee |
Hollywood Goes to Town | 1938 | Short documentary | Himself |
Lest We Forget | 1937 | Short | Himself |
20th Century Fox Promotional Film | 1936 | Documentary short | Himself (uncredited) |
La Fiesta de Santa Barbara | 1935 | Short | Himself |
Barbara Stanwyck: Fire and Desire | 1991 | TV Movie documentary | Himself (uncredited) |
Death Valley Days | 1966-1969 | TV Series | Himself - Host / Himself / Host / ... |
Hollywood in Spanien | 1966 | TV Movie documentary | Himself |
The Tonight Show Starring Johnny Carson | 1963-1964 | TV Series | Himself |
The Dick Powell Theatre | 1963 | TV Series | Himself - Guest Host |
The Merv Griffin Show | 1963 | TV Series | Himself |
The 13th Annual Primetime Emmy Awards | 1961 | TV Special | Himself - Presenter |
The DuPont Show with June Allyson | 1960 | TV Series | Himself |
The Thin Man | 1958 | TV Series | Himself |
What's My Line? | 1956 | TV Series | Himself - Mystery Guest |
The Ed Sullivan Show | 1953-1955 | TV Series | Himself |
I Love Melvin | 1953 | Himself, Cameo Appearance in Judy's Dream | |
The Hoaxters | 1952 | Short documentary | Narrator (voice) |
Challenge the Wilderness | 1951 | Documentary short | Himself |
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
Trumbo | 2015 | Himself (uncredited) | |
The Naked Archaeologist | 2008-2010 | TV Series documentary | Marcus Vinicius |
Trumbo | 2007 | Documentary | Himself |
Garbo | 2005 | Documentary | Armand Duval (uncredited) |
Biography | 2003 | TV Series documentary | Himself |
Great Performances | 2003 | TV Series | Himself |
Hollywoodism: Jews, Movies and the American Dream | 1998 | TV Movie documentary | Himself |
Cold War | 1998 | TV Mini-Series documentary | Himself |
Mary Pickford: A Life on Film | 1997 | Documentary | Himself - USAAF Outfit (uncredited) |
Ayn Rand: A Sense of Life | 1997 | Documentary | Himself - Before HUAC (uncredited) |
Nixon | 1995 | Himself - Testifying before HUAC (uncredited) | |
Inside the Dream Factory | 1995 | TV Movie documentary | Himself |
Citizen Cohn | 1992 | TV Movie | Himself (uncredited) |
Entertaining the Troops | 1988 | Documentary | Himself |
Annie | 1982 | Armand Duval (uncredited) | |
Hollywood on Trial | 1976 | Documentary | Himself |
That's Entertainment, Part II | 1976 | Documentary | Clip from 'Broadway Melody of 1936' |
ABC Late Night | 1975 | TV Series | Himself - Mystery Guest |
The Dick Cavett Show | 1971 | TV Series | Himself |
The Extraordinary Seaman | 1969 | Himself (uncredited) | |
Walt Disney's Wonderful World of Color | 1965 | TV Series | Colonel Alois Podhajsky |
The Big Parade of Comedy | 1964 | Documentary | Raymond Dabney in 'Personal Property' |
Hollywood Without Make-Up | 1963 | Documentary | Himself |
Hollywood: The Fabulous Era | 1962 | TV Movie documentary | Himself |
MGM Parade | 1955-1956 | TV Series | Himself / Armand Duval / Charlie Gilson in 'The Last Hunt' / ... |
The Ed Sullivan Show | 1954 | TV Series | Himself |
The Metro-Goldwyn-Mayer Story | 1951 | Documentary | |
The Miracle of Sound | 1940 | Documentary short | Himself |
Trifles of Importance | 1940 | Short | Himself (uncredited) |
Hollywood: Style Center of the World | 1940 | Documentary short | Himself |
From the Ends of the Earth | 1939 | Documentary short | Himself |
The Romance of Celluloid | 1937 | Short | Erich Lohkamp |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1960 | Star on the Walk of Fame | Walk of Fame | Motion Picture | On 8 February 1960. At 1500 Vine Street. |
1954 | Henrietta Award | Golden Globes, USA | World Film Favorite - Male | Together with Alan Ladd |