Florence Reed (January 10, 1883 – November 21, 1967) was a stage, screen and television actress. She is remembered for several outstanding stage productions, including The Shanghai Gesture, The Lullaby, The Yellow Ticket and The Wanderer. Her best remembered movie role was as Miss Havisham in the 1934 production of Great Expectations. In this version, however, Miss Havisham was changed from a completely insane woman to an eccentric, who did not wear her wedding veil constantly, and who dies peacefully rather than as a result of suffering burns in a fire. In the 1950s Reed performed in several early television shows, such as The Philco Television Playhouse, Kraft Television Theatre and The United States Steel Hour.
One of the grandest of the grande dames of the American Broadway theatre, she appeared in a handful of melodramatic silent movie vehicles and graced a couple of talking pictures (including Miss Haversham in Great Expectations (1934)) as well as 1950s TV, but preferred the stage.
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Appeared with husband Malcolm Williams frequently on Broadway, including "The Typhoon" (1912), "The Painted Woman" (1913), "The Master of the House" (1912), ""Roads of Destiny" (1918) and "Purity" (1930).
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Daughter of an actor-manager, Roland [Lewis] Reed (1852-1901).
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Began a long apprenticeship with New York's Fifth Avenue Theatre stock company in 1901, then toured as E.H. Sothern's leading lady, playing Katherine de Vaucelles in "If I Were King", Dulcinea in "Don Quixote" and Ophelia in "Hamlet".
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Her grandfather, John "Pop" Reed, was for many decades the gas man at the Walnut Street Theatre and gained a small foothold in American theatrical legend by bequeathing the theatre his skull to be used in performances of "Hamlet".
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On January 29, 1939, for President Roosevelt's Birthday Celebration, she and Laurette Taylor did a command performance from their Broadway success "Outward Bound".
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Elected to the Actors Equity council board in 1918.