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Michael E. Briant Net Worth

How rich is Michael Edwin Briant?

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Michael Edwin Briant information

Michael Edwin Briant information

Birth date: February 14, 1942
Birth place: Maidenhead, Berkshire, England, UK
Profession:Director, Miscellaneous Crew, Actor
Movies:Tangiers

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Born in 1942, Michael went full time to the Italia Conti Stage School in Archer Street, London W1 when he was 12. Three months later he gave his first professional performance as an elf and a rainbow child at the Royal Festival Hall. The following year he played the lead Crispian. As a child/young actor he worked extensively in the theaters, film ...

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Director

Director

TitleYearStatusCharacter
Jansen, Jansen1995TV Series
EastEnders1995TV Series 3 episodes
Zonder Ernst1992TV Series
Spijkerhoek1989-1990TV Series 25 episodes
Vrienden voor het leven1990TV Series
Howards' Way1987TV Series 6 episodes
Hideaway1986TV Mini-Series 6 episodes
Tangiers1985
One by One1985TV Series 6 episodes
Kessler1981TV Mini-Series 4 episodes
Blood Money1981TV Series 6 episodes
A Tale of Two Cities1980TV Mini-Series 8 episodes
Breakaway1980TV Series 6 episodes
Secret Army1978-1979TV Series 7 episodes
Emmerdale1979TV Series 6 episodes
Blake's 7: The Beginning1978Video
The Onedin Line1978TV Series 1 episode
Blakes 71978TV Series 5 episodes
Within These Walls1978TV Series 1 episode
Treasure Island1977TV Mini-Series 4 episodes
Doctor Who1971-1977TV Series 30 episodes
Warship1976-1977TV Series 4 episodes
Angels1975-1976TV Series 2 episodes
Dixon of Dock Green1975-1976TV Series 4 episodes
Sutherland's Law1975TV Series 2 episodes
Z Cars1970-1974TV Series 5 episodes
The Doctors1970-1971TV Series 10 episodes
The Newcomers1965TV Series

Miscellaneous

Miscellaneous

TitleYearStatusCharacter
Doctor WhoTV Series production assistant - 12 episodes, 1966 - 1968 assistant floor manager - 4 episodes, 1965

Actor

Actor

TitleYearStatusCharacter
Doctor Who1972-1975TV SeriesMonitor Voice / Radio D.J.
True as a Turtle1957Paul
The Little Round House1955TV SeriesRobin
Billy Bunter of Greyfriars School1952TV SeriesFrank Nugent

Producer

Producer

TitleYearStatusCharacter
Zonder Ernst1992TV Series producer
Tangiers1985executive producer

Writer

Writer

TitleYearStatusCharacter
A Tale of Two Cities1980TV Mini-Series

Thanks

Thanks

TitleYearStatusCharacter
Dixon of Dock Green: The Final Cases2015Video documentary short special thanks

Self

Self

TitleYearStatusCharacter
Hello Sailor!: Making the Sea Devils2008Video documentary shortHimself - Director (as Michael E Briant)
Musical Scales2008Video documentary shortHimself

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#Fact
1He is in La Rochelle on the West coast of France in an old house near the Vieux Port which has its own studio and edit facility. [April 2005]
2Of the six Doctor Who (1963) serials he directed, his favorite was "The Robots of Death".
3He has now sold Bambola the yacht he sailed around the world making films with and has purchased Eloise - catamaran which he hopes will provide a more stable platform for his productions.

#Quote
1So sorry and sad to hear of David's death. He was one of the really nice people of television. A very clever and talented producer and director, it was always a pleasure to work for him when he was producing. Blakes 7 (1978) would never have gone as bravely or successfully without David at the helm. A delight to be a co-director on the same or similar productions, and as his sometime-production manager I learned a great deal from him. He managed always to keep a wry sense of humor and proportion whilst doing excellent work. Not many achieve that. The business and the world will be a lesser place without him. (On David Maloney)
2I am sad that I was probably very difficult to work with. Directors have to follow their own dream but sometimes I wish I had done it a bit more diplomatically and politely. You have a choice as a director - do what you believe to be right - that which pleases you or try to please other people - producers et al. The former does not always make you friends and the latter does not make good productions. There is a line between the ideas of the producer and what a director can bring to the story. The good producers find directors who are creative and imaginative. When you let slip the dogs of war there is no knowing who they will bite - the inferior producers select directors who will toe the line, be really respectful and obey orders.
3Television has now grown up and on soaps the role of the director is primarily to point cameras. The speed and instant acting required today has taken much of the fun out of the work and many - particularly BBC soaps - are run by committee. Not sure if this is good or bad, but for young directors it is very sad.
4I would have paid to do the directing work that came my way - certainly it was a bit intimidating sometimes, very scary even, but it never was boring and I was allowed to experiment and sometimes to fail - the most exciting thing I can imagine.
5Television was growing at a rate and the creative side was run by people from the theatre or film industry. Directors in those days did the casting, were consulted during the writing process and had a freedom impossible today.


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