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Rowland Brown (November 6, 1900 – May 6, 1963), born Chauncey Rowland Brown in Canton, Ohio, was an American screenwriter and film director, whose career as a director ended in the early 1930s after he started many more films than he finished. He walked out of State's Attorney (1932), starring John Barrymore. He was abruptly replaced as director of The Scarlet Pimpernel. As a writer, he was credited with twenty or so films including two Academy Award nominations, one in the 11th Academy Awards for Best Original Story Angels with Dirty Faces and another in the 4th Academy Awards for Doorway to Hell. Wikipedia

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Writer

Writer

TitleYearStatusCharacter
Climax!1957TV Series story - 1 episode
Damon Runyon Theater1955TV Series original story - 1 episode
Kansas City Confidential1952story
The Nevadan1950additional dialogue
Nocturne1946story
Johnny Apollo1940screen play
The Lady's from Kentucky1939story
Angels with Dirty Faces1938from a story by
Boy of the Streets1937original story
Navy Blue and Gold1937uncredited
The Devil Is a Sissy1936story
Robin Hood of El Dorado1936uncredited
Widow's Might1935
Leave It to Blanche1934
What Happened to Harkness?1934story
Blood Money1933written by
Hell's Highway1932by
What Price Hollywood?1932by
State's Attorney1932
Skyline1931uncredited
Quick Millions1931screenplay / story
The Doorway to Hell1930story "A Handful of Clouds"
Points West1929writer
Fugitives1929writer

Director

Director

TitleYearStatusCharacter
The Devil Is a Sissy1936uncredited
Blood Money1933
Hell's Highway1932
Quick Millions1931

Miscellaneous

Miscellaneous

TitleYearStatusCharacter
Robin Hood of El Dorado1936treatment - uncredited

Nominated awards

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
1939OscarAcademy Awards, USABest Writing, Original StoryAngels with Dirty Faces (1938)
1931OscarAcademy Awards, USABest Writing, Original StoryThe Doorway to Hell (1930)


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#Fact
1Studied at the University of Detroit and the Detroit School of Fine Arts.
2Temperamental screenwriter and occasional director of the 1930s. Moved to Hollywood in the mid-'20s, finding work as a prop boy on the Universal lot. By 1926 he was working as a gagman for 'Reginald Denny'. He wrote several moderately successful gangster movies in the early 1930s, their "authentic feel" rumored to have been enhanced by his having been a bootlegger with mob ties during Prohibition. Career stalled after being fired, first from directing The Scarlet Pimpernel (1934) by Alexander Korda, then by David O. Selznick from A Star Is Born (1937). Little heard of after 1940.


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