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Catherine Breillat Net Worth

Catherine Breillat Net Worth

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Catherine Breillat net worth & biography:

Catherine Breillat is a Paris based filmmaker and writer who became famous for her distinctively personal films on sexuality, gender trouble and sibling rivalry. Accused of being a "porno auteuriste", Breillat allowed for an unbiased view of sexuality and extended the language of mainstream movies. She is also a best-selling novelist and wrote her... Wikipedia

More about Catherine Breillat:

  • Filmography
  • Awards
  • Salaries
  • Facts
  • Quotes
  • Trademarks
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Writer

Writer

TitleYearStatusCharacter
Abuse of Weakness2013written by
The Sleeping Beauty2010TV Movie screenplay
Bluebeard2009screenplay
The Last Mistress2007adaptation
Anatomy of Hell2004novel "Pornocratie" / screenplay
Sex Is Comedy2002
Brief Crossing2001
Fat Girl2001
To Matthieu2000
Romance1999scenario and dialogue
Viens jouer dans la cour des grands1997TV Movie screenplay
Perfect Love1996
Couples et amants1993writer
Le secret d'Elissa Rhaïs1993TV Movie adaptation
La nuit de l'océan1992
La grande collection1992TV Series 1 episode
La thune1991
Dirty Like an Angel1991
Aventure de Catherine C.1990screenplay - adaptation, dialogue
Zanzibar1989writer
Milan noir1988writer
36 fillette1988novel / scenario
L'araignée de satin1986collaboration
Police1985based on an original idea by / scenario, adaptation and dialogue
The Eyes, the Mouth1982collaborating writer
La pelle1981screenplay
Nocturnal Uproar1979writer
Bilitis1977
A Real Young Girl1976novel "Le soupirail" / screenplay
Catherine & Co.1975

Director

Director

TitleYearStatusCharacter
Abuse of Weakness2013
Venice 70: Future Reloaded2013Documentary
The Sleeping Beauty2010TV Movie
Bluebeard2009
The Last Mistress2007
La Fidélité2006Short music video
Si je reste (un peu)2006Short
Anatomy of Hell2004
Sex Is Comedy2002
Brief Crossing2001
Fat Girl2001
Romance1999
Perfect Love1996
À propos de Nice, la suite1995segment "Aux Niçois qui mal y pensent"
Dirty Like an Angel1991
36 fillette1988
Nocturnal Uproar1979
A Real Young Girl1976

Actress

Actress

TitleYearStatusCharacter
Abuse of Weakness2013Une patiente
Anatomy of Hell2004Narrator (voice)
A Housekeeper2002Constance
Dracula and Son1976Herminie Poitevin
Une saison dans la vie d'Emmanuel1973
Le dialogue dans le marécage1973TV MovieL'autre
Last Tango in Paris1972Mouchette

Soundtrack

Soundtrack

TitleYearStatusCharacter
Fat Girl2001lyrics: "Moi je m'ennuie", "J'ai mis mon coeur a pourrir" / music: "Moi je m'ennuie", "J'ai mis mon coeur a pourrir"
A Real Young Girl1976lyrics: "Ma petite amie a fichu le camps", "Le danger c'est de trop aimer", "Suis-je une petite fille", "Electric Guitar"

Editorial Department

Editorial Department

TitleYearStatusCharacter
The Eyes, the Mouth1982assistant editor

Production Designer

Production Designer

TitleYearStatusCharacter
A Real Young Girl1976uncredited

Self

Self

TitleYearStatusCharacter
Catherine Breillat: The First Time2012DocumentaryHerself
Images de femmes ou Le corset social2011DocumentaryHerself
Mutantes2009TV Movie documentaryHerself - Interviewee
Salut les Terriens2009TV SeriesHerself
Great Directors2009DocumentaryHerself
Paris-Berlin, le débat2008TV SeriesHerself
Dominique Laffin, portrait d'une enfant pas sage2007TV Movie documentaryHerself
Lonsdale l'insondable2007TV Movie documentaryHerself
Indie Sex: Teens2007TV Movie documentaryHerself
SexTV2002-2006TV Series documentaryHerself
L'hebdo cinéma2006TV Series documentaryHerself
French Beauty2005TV Movie documentaryHerself
X-Rated2004TV Mini-Series documentaryHerself
On ne peut pas plaire2001-2004TV SeriesHerself
Salò: Fade to Black2001Video documentaryHerself
+ de cinéma2001TV Series documentary shortHerself
Femme et cinéaste2001TV Movie documentaryHerself
Le cercle de minuit1997TV SeriesHerself
Bas les masques1995TV SeriesHerself
Bains de minuit1988TV SeriesHerself
Palmarès1979TV SeriesHerself
Vive le cinéma1972TV Series documentaryHerself

Won awards

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2010C.I.C.A.E. AwardVenice Film FestivalLa belle endormie (2010)
2002Grand Prize French FictionLuchon International Film FestivalBrève traversée (2001)
2002MovieZone AwardRotterdam International Film FestivalÀ ma soeur! (2001)
2001Manfred Salzgeber AwardBerlin International Film FestivalÀ ma soeur! (2001)
2001France Culture AwardCannes Film FestivalFrench Cineaste of the YearÀ ma soeur! (2001)
2001Gold HugoChicago International Film FestivalBest FilmÀ ma soeur! (2001)
2001Silver Medallion AwardTelluride Film Festival, US
2001Elvira Notari Prize - Special MentionVenice Film FestivalBrève traversée (2001)

Nominated awards

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2013Best FilmLondon Film FestivalAbus de faiblesse (2013)
2013Grand PrixWarsaw International Film FestivalAbus de faiblesse (2013)
2010Venice Horizons AwardVenice Film FestivalBest FilmLa belle endormie (2010)
2009Narcisse AwardNeuchâtel International Fantasy Film FestivalBest Feature FilmBarbe bleue (2009)
2007Palme d'OrCannes Film FestivalUne vieille maîtresse (2007)
2001Golden Berlin BearBerlin International Film FestivalÀ ma soeur! (2001)
1988Golden LeopardLocarno International Film Festival36 fillette (1988)


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#Fact
1Other novels by Catherine Breillat: "Le silence, après...", "Les vêtements de la mer", and "Le soupirail", which was the basis for A Real Young Girl (1976), her first directorial effort.
2Suffered a stroke in 2004 and was hospitalized for 5 months.
3Was a member of the jury at the 2007 Venice Film Festival.
4Considers David Cronenberg another filmmaker to have a similar approach to sexuality in film.
5Professor for Auteur Cinéma at the European Graduate School (EGS) in Saas Fee, Switzerland.
6Serves as a master teacher of film at Columbia University and the School of Visual Arts in New York for a program called "On Set With French Cinema" (Fall 2003).
7Wrote her first novel "L'Homme Facile" at the age of 17, but was barred from the French system of book classification, which classified it as 18+ readership.
8Professor at La Fémis (Paris).
9Sister of actress Marie-Hélène Breillat.
10She hails Winter Light (1963) as being the main reason why she became a director.

#Quote
1I once wrote an article called 'The Importance of Being Hated', and though I would rather be loved and adored, because I am a human being like everyone else, I think the world still needs people who can speak their truth without fearing the consequences.
2In American cinema you find handsome men, whereas in French cinema you find male stars who are usually not very good looking at all. Fifty years from now, when people watch French movies and see these absolutely ravishing actresses who fall head over heels in love with Gérard Depardieu, they'll shake their heads and wonder what exactly was wrong with France.
3If I stop making films, I will die. I can tell myself that one day I will stop living. But I cannot bear the fact that the day will come when I will no longer be making films.
4I am the pariah of French cinema. That can make things complicated for me: it is never easy to drum up a budget or to find a distributor for my films in France. Some people refuse even to read my scripts. But it also makes me very happy because hatred is invigorating. All true artists are hated. Only conformists are ever adored.
5If you want to preserve your virginity, it's about not wanting to belong to the human species. To make love is not just to have the pleasure of flesh, but to have the pleasure of flesh escaping flesh. The sexual act involves a mental transfiguration, too.
6It's not just freedom to do a particular act. It's not consumerism. If you think of an orgy or falling in love, everyone would rather fall in love because it's really transcendental. The problem is that all governments and all religions have always been determined to make sex something dirty. Religion is afraid of the power of sex - because a person who can find the transfiguration of sex in her life is no longer a person who can be directed.
7For me, the outrage is that the world needs to know about the loss of virginity. There is such guilt associated with the fact that you want to make love, that you demand that your lover speaks words of love, whether he means them or not.
8It's a joke - if men can't desire liberated women, then tough. Does it mean they can only desire a slave? Men need to question the roots of their own desire. Why is it that historically men have this need to deny women to be able to desire them?
9The problem is that censors create the concept of obscenity. By supposedly trying to protect us they form an absurd concept of what is obscene.

#Trademark
1Dramas that explore female sexuality in a clinical, bleak style and with unconventional explicitness.

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