Basil Emmott Net Worth
Basil Emmott Net Worth is
$12 Million
Basil Emmott Bio/Wiki, Net Worth, Married 2018
Basil Emmott (5 July 1894 – 23 January 1976) was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.Emmott worked mainly in the field of quota quickies and B-movies. His output covered the entire spectrum of film genres, from comedy and musicals, through melodrama and thrillers, to crime and horror films. Directors Emmott worked with included Michael Powell, Arthur B. Woods, Val Guest and Lance Comfort. | Date Of Birth | July 5, 1894, Kennington |
| Died | January 23, 1976, Eastbourne, United Kingdom |
| Place Of Birth | Kennington, London, England, UK |
| Profession | Cinematographer |
| Star Sign | Cancer |
Cinematographer
| Title | Year | Status | Character |
|---|---|---|---|
| Little Miss Nobody | 1933 | ||
| Mr. Quincey of Monte Carlo | 1933 | ||
| Naughty Cinderella | 1933 | ||
| Out of the Past | 1933 | ||
| The Stolen Necklace | 1933 | ||
| The Thirteenth Candle | 1933 | ||
| Too Many Wives | 1933 | ||
| The Silver Spoon | 1933 | ||
| The Acting Business | 1933 | ||
| I Adore You | 1933 | ||
| The Bermondsey Kid | 1933 | ||
| Enemy of the Police | 1933 | ||
| Smithy | 1933 | ||
| Mayfair Girl | 1933 | ||
| Head of the Family | 1933 | ||
| Strictly in Confidence | 1933 | Short | |
| Long Live the King | 1933 | Short | |
| Double Wedding | 1933 | ||
| Going Straight | 1933 | ||
| The Melody-Maker | 1933 | ||
| Her Imaginary Lover | 1933 | ||
| Don't Be a Dummy | 1932 | ||
| The River House Ghost | 1932 | ||
| Blind Spot | 1932 | ||
| Her Night Out | 1932 | ||
| The Phantom Fiend | 1932 | ||
| Lucky Ladies | 1932 | ||
| The Silver Greyhound | 1932 | ||
| When London Sleeps | 1932 | ||
| Flat No. 9 | 1932 | Short | |
| The Marriage Bond | 1932 | ||
| In a Monastery Garden | 1932 | ||
| Sherlock Holmes and the Missing Rembrandt | 1932 | ||
| Frail Women | 1932 | ||
| Murder on the Second Floor | 1932 | ||
| Peace and Quiet | 1931 | Short | |
| The Boat from Shanghai | 1931 | ||
| The Rosary | 1931 | ||
| We Dine at Seven | 1931 | Short | |
| Big Business | 1930 | ||
| Spanish Eyes | 1930 | ||
| The Great Game | 1930 | ||
| Le mystère de la villa rose | 1930 | ||
| Drifters | 1929 | Documentary | |
| The Co-Optimists | 1929 | ||
| The Feather | 1929 | ||
| To What Red Hell | 1929 | ||
| Sailors Don't Care | 1928 | ||
| Quinneys | 1927 | photography | |
| The Flight Commander | 1927 | photography | |
| The Eleventh Commandment | 1924 | ||
| Réveille | 1924 | ||
| The Loves of Colleen Bawn | 1924 | ||
| Young Lochinvar | 1923 | ||
| Rob Roy | 1922 | ||
| The Life of Lord Byron | 1922 | ||
| In His Grip | 1921 | ||
| The Way of a Man | 1921 | ||
| Branded | 1920 | ||
| The Return of Mr. Moto | 1965 | as Basil Emott | |
| Curse of the Fly | 1965 | director of photography | |
| Be My Guest | 1965 | ||
| Walk a Tightrope | 1964 | ||
| Man in the Dark | 1964 | ||
| The Break | 1963 | director of photography | |
| Sing and Swing | 1963 | ||
| Tomorrow at Ten | 1963 | photography | |
| Murder Can Be Deadly | 1962 | as Basil Emmot, photography | |
| Strongroom | 1962 | ||
| Pit of Darkness | 1961 | ||
| The Wind of Change | 1961 | director of photography | |
| Young, Willing and Eager | 1961 | ||
| The Great Armored Car Swindle | 1961 | ||
| Touch of Death | 1961 | ||
| The Enemy General | 1960 | ||
| Hell, Heaven or Hoboken | 1958 | director of photography | |
| Missiles from Hell | 1958 | director of photography | |
| The Long Haul | 1957 | ||
| Town on Trial | 1957 | director of photography | |
| Home and Away | 1956 | ||
| Wicked as They Come | 1956 | director of photography | |
| Spin a Dark Web | 1956 | ||
| Johnny You're Wanted | 1956 | ||
| Secret Venture | 1955 | ||
| Joe MacBeth | 1955 | ||
| Cross Channel | 1955 | director of photography | |
| Track the Man Down | 1955 | ||
| Where There's a Will | 1955 | ||
| Companions in Crime | 1954 | ||
| The Green Buddha | 1954 | ||
| The Tell-Tale Heart | 1953/II | Short | |
| Paper Orchid | 1949 | ||
| Brass Monkey | 1948 | ||
| Master of Bankdam | 1947 | ||
| The Man from Morocco | 1945 | ||
| It Happened One Sunday | 1944 | ||
| Time Flies | 1944 | ||
| Bell-Bottom George | 1944 | interior photography | |
| Miss London Ltd. | 1943 | ||
| The Peterville Diamond | 1943 | ||
| Flying Fortress | 1942 | photographed by | |
| This Was Paris | 1942 | ||
| The Seventh Survivor | 1942 | ||
| Atlantic Ferry | 1941 | photographed by | |
| Fingers | 1941 | ||
| The Prime Minister | 1941 | photographed by | |
| George and Margaret | 1940 | ||
| Two for Danger | 1940 | ||
| That's the Ticket | 1940 | ||
| The Briggs Family | 1940 | ||
| Dr. O'Dowd | 1940 | ||
| The Good Old Days | 1940 | ||
| The Midas Touch | 1940 | ||
| Hoots Mon | 1940 | ||
| Confidential Lady | 1940 | ||
| His Brother's Keeper | 1940 | ||
| Murder Will Out | 1939 | ||
| A Gentleman's Gentleman | 1939 | ||
| Too Dangerous to Live | 1939 | ||
| The Nursemaid Who Disappeared | 1939 | ||
| Everything Happens to Me | 1938 | ||
| Many Tanks Mr. Atkins | 1938 | ||
| They Drive by Night | 1938 | ||
| The Return of Carol Deane | 1938 | ||
| Dangerous Medicine | 1938 | ||
| Thank Evans | 1938 | ||
| Double or Quits | 1938 | ||
| Glamour Girl | 1938 | ||
| It's in the Blood | 1938 | ||
| The Viper | 1938 | ||
| Thistledown | 1938 | ||
| Quiet Please | 1938 | ||
| The Singing Cop | 1938 | ||
| Take It from Me | 1937 | ||
| Change for a Sovereign | 1937 | ||
| You Live and Learn | 1937 | ||
| The Man Who Made Diamonds | 1937 | ||
| Ship's Concert | 1937 | Short | |
| The Perfect Crime | 1937 | ||
| Mayfair Melody | 1937 | ||
| Don't Get Me Wrong | 1937 | ||
| It's Not Cricket | 1937 | ||
| Patricia Gets Her Man | 1937 | ||
| Side Street Angel | 1937 | ||
| The Compulsory Wife | 1937 | ||
| The Vulture | 1937 | ||
| Gypsy | 1937 | ||
| Irish for Luck | 1936 | ||
| Hail and Farewell | 1936 | ||
| Educated Evans | 1936 | ||
| It's in the Bag | 1936 | ||
| Crown v. Stevens | 1936 | photography | |
| The Brown Wallet | 1936 | ||
| Fair Exchange | 1936 | ||
| Where's Sally? | 1936 | ||
| Gaol Break | 1936 | ||
| Twelve Good Men | 1936 | ||
| Viennese Love Song | 1936 | ||
| Mr. Cohen Takes a Walk | 1935 | photography | |
| The Black Mask | 1935 | ||
| Someday | 1935 | ||
| Get Off My Foot | 1935 | ||
| Crime Unlimited | 1935 | photography | |
| Man of the Moment | 1935 | photography | |
| Hello, Sweetheart | 1935 | ||
| The Girl in the Crowd | 1935 | ||
| Full Circle | 1935 | ||
| Mr. What's-His-Name? | 1935 | ||
| So You Won't Talk | 1935 | ||
| Murder at Monte Carlo | 1935 | ||
| Widow's Might | 1935 | ||
| Hyde Park | 1934 | ||
| What's in a Name? | 1934 | ||
| Big Business | 1934 | ||
| A Glimpse of Paradise | 1934 | ||
| Too Many Millions | 1934 | ||
| Father and Son | 1934 | ||
| Leave It to Blanche | 1934 | ||
| What Happened to Harkness? | 1934 | ||
| The Office Wife | 1934 | Short | |
| The Life of the Party | 1934 | ||
| Something Always Happens | 1934 | photography | |
| No Escape | 1934 | ||
| The Church Mouse | 1934 | ||
| The Blue Squadron | 1934 | ||
| Nine Forty-Five | 1934 | ||
| Guest of Honour | 1934 | ||
| The Girl in Possession | 1934 | ||
| Murder at the Inn | 1934 | ||
| Trouble in Store | 1934 | Short | |
| As Good As New | 1933 | ||
| Call Me Mame | 1933 | ||
| High Finance | 1933 | ||
| Little Fella | 1933 |
Known for movies
Hell, Heaven or Hoboken (1958)
as Cinematographer
Curse of the Fly (1965)
as Cinematographer
The Phantom Fiend (1932)
as Cinematographer
Man of the Moment (1935)
as Cinematographer