Frank Darabont Net Worth
Frank Darabont Net Worth is
$15 Million
Frank Darabont Bio/Wiki, Net Worth, Married 2018
Frank Darabont is a Hungarian-American film director, screenwriter and producer who has been nominated for three Academy Awards and a Golden Globe Award. In his early career he was primarily a screenwriter for horror films such as A Nightmare on Elm Street 3: Dream Warriors,... Full Name | Frank Darabont |
Net Worth | $15 Million |
Date Of Birth | January 28, 1959 |
Place Of Birth | Montbéliard, France |
Height | 6' (1.83 m) |
Profession | Film director, Screenwriter, Film Producer, Television Director, Actor, Television producer |
Education | Hollywood High School |
Nationality | United States of America |
Spouse | Karyn Wagner |
Nicknames | Frank A. Darabont , Ardeth Bey , Frank Arpad Darabont , Darabont Ferenc , Ferenc Darabont |
Awards | BFCA Critics' Choice Award for Best Adapted Screenplay |
Nominations | Academy Award for Best Picture, Academy Award for Best Writing Adapted Screenplay, Golden Globe Award for Best Screenplay - Motion Picture, Writers Guild of America Award for Television: New Series, Writers Guild of America Award for Best Adapted Screenplay, Directors Guild of America Award for Outs... |
Movies | The Shawshank Redemption, The Green Mile, The Mist, The Majestic, A Nightmare on Elm Street 3: Dream Warriors, The Blob, Buried Alive, Mary Shelley's Frankenstein, The Fly II, The Woman in the Room, King Kong, Two-Fisted Tales, The United Monster Talent Agency, Fahrenheit 451 |
TV Shows | Mob City, The Walking Dead |
Star Sign | Aquarius |
# | Trademark |
---|---|
1 | Hawaiian shirts |
2 | Often casts actors Jeffrey DeMunn and William Sadler in his movies |
3 | Frequently makes adaptations of stories or novels by Stephen King. |
# | Quote |
---|---|
1 | [on screenwriting and being a screenwriter] Don't get into this business if it's about trying to make a million-dollar sale. We've got plenty of assholes around trying to achieve that goal. There are more dilettantes in the game than real, committed, I'm-gonna-go-down-swinging kinda people. We need more of the latter and less of the former. We need people who care about this as an art form. Movies should count for more than an opening-weekend gross, because whatever had a huge gross this week, will they be talking about it in 50 years? Will it be [a] credit to the art form, the way we talk about Casablanca (1942)? |
2 | I'm Willy Loman wandering around with a briefcase under his arm. Truth is, most people in Hollywood are. There's tremendous bureaucracy designed to prevent you realizing your creative vision. They will try to find every reason in the world not to make your movie. It's a very interesting and perverse situation. The only person who can, with impunity, make the movie he wants to make has got to be Steven Spielberg. And I'm sure even he has a bumpy day or two. The rest of us are flailing around trying to find somebody who'll believe in what we believe in. It's tougher than ever, really, because the kinds of movies that I wish to make are not the obvious thing being shoveled out by Hollywood every day. I keep getting sent these scripts, and offers coming through to direct this and direct that. My problem is that I don't want to spend two hours watching them, much less two years making them. |
3 | [on the ending of The Mist (2007)] That's one of the reasons we shot it so quickly and cheaply, because of that ending. I wound up making it for about half the budget that I had been offered, which came with the caveat that I changed the ending, and I didn't know what another ending would have been, frankly. And I think trying to adjust it would have felt like a total sellout to me. Honestly, it's the ending I had in mind, and whether you love the ending or hate the ending, I stand by it. I think cinema is an art form, it's all expression. I thought, "Okay, let's make it for half that budget and keep that ending, so I can make the movie I set out to make". Otherwise, I'm just a hired monkey. |
4 | [on his struggles getting "Fahrenheit 451" made] Hollywood doesn't trust smart material, if you show them a really smart script. I actually had a studio head read that script and say, "Wow, that's the best and smartest script that I've read since running this studio but I can't possibly greenlight it". I asked why and he says, "How am I going to get 13-year-olds to show up at the theater?" And I said, "Well, let's make a good movie and I bet that will take care of itself". But that argument cut absolutely no ice. The movie was basically too smart for this person, too metaphorical, etc., etc. It's a bit of a battle you've got to fight. When you're faced with it, how do you overcome that prejudice? |
5 | Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique . . . completely separate entities. Sometimes an artist rises above his source material. I'd like to think that my films are personal enough to exist without hearkening back to their respective novels. |
6 | [on The Shawshank Redemption (1994)] I really don't think you can get tired of the kind of loving reaction that people have for this movie. It seems to have become its own ambassador to the world. It does mean something to people, and that's so fantastic to me. How many people have even one thing like that in their lives? If [my] obituary is, "Frank 'Shawshank Redemption' Darabont died today at the age of"--hopefully--"110", that would be awesome. Of course, I hope people check out the other films I've made, too, and I hope they enjoy them and I hope I get to make some more that they enjoy. But, hey, if the one thing I'm remembered for is "Shawshank", why on Earth would I complain about that? Few people are remembered for anything. |
7 | The human race is fundamentally insane. If you put two of us into a room together we're soon gonna start figuring out good reasons to kill one another. |
8 | The Majestic (2001) is a movie I'm very proud of and I really love. It achieved exactly what I set out to make. And I find it very moving. It's a very sweet and quaint movie. That's always a tough sell. |
9 | If you look at a classic horror movie like The Exorcist (1973), part of what makes it so scary is that it feels so damn real. If you add a layer of too much hysterical, theatrical reality, then audiences take it less seriously. But if you play it for absolute reality, then the dread and the horror - which is why we go to horror movies in the first place - is reinforced. |
10 | [on his rejected script for Indiana Jones and the Kingdom of the Crystal Skull (2008) (aka Indiana Jones 4)] Steven [Steven Spielberg] was very, very happy with the script and said it was the best draft of anything since Raiders of the Lost Ark (1981). That's really high praise and gave me a real sense of accomplishment, especially when you love the material you're working on as much as I love the "Indiana Jones" films. And then you have George Lucas read it and say, "Yeah, I don't think so, I don't like it". And then he resets it to zero when Spielberg is ready to shoot it that coming year, [which] is a real kick to the nuts. You can only waste so much time and so many years of your life on experiences like that, you can only get so emotionally invested and have the rug pulled out from under you before you say, "Enough of that". |
11 | [on Stephen King from an interview in Creative Screenwriting] We have a joke now - because the first two films I directed were period prison movies - that my directing career will stall unless he writes another period prison story. |
12 | [on Quentin Tarantino from an interview in Creative Screenwriting] I find Quentin's work very interesting, because he does dabble so well in the nihilistic world, but yet, there's a real streak of humanity in his work. It's not about the nihilism, it's about people in a sense operating as honorably as they can in a nihilistic world. |
13 | [October 1994, in "Premiere" magazine] If you're going to succeed, you've got to be like one of those punch-drunk fighters in the old Warner Bros. boxing pictures: too stupid to fall down, you just keep slugging and stay on your feet. |
# | Fact |
---|---|
1 | He was short listed as a director for The Huntsman: Winter's War (2016) and eventually agreed to co-write and direct the film before dropping out. |
2 | Was hired in 2004 to write the script for Mission: Impossible III (2006) after screenwriters Robert Towne and Dean Georgaris failed to deliver good enough drafts. Darabont's script would get polished by Joe Carnahan who was originally attached to direct following David Fincher's departure. Eventually, Cruise hired J.J. Abrams, Alex Kurtzman & Roberto Orci to write the script for the project. |
3 | Frank Darabont has been one of the top script doctors and rewrites in Hollywood going back to the early 1990s. Among the projects he has performed uncredited writing on include: The Rocketeer (1991), Copycat (1995), The Fan (1996), Eraser (1996), Saving Private Ryan (1998), The Majestic (2001), Minority Report (2002), The Salton Sea (2002), Collateral (2004), Law Abiding Citizen (2009) and most recently Godzilla (2014). |
4 | Currently working on adapting "The Mist," a short story by Stephen King, into a film. No studio announcement has been made as of October 2004, but if all goes on schedule, the final product should see theatrical release in the second half of 2006. (Source: Daniel Robert Epstein's interview with Frank Darabont at http://suicidegirls.com/words/Frank+Darabont/ ) [October 2004] |
5 | In Shreveport, Lousiana in the middle of Pre-production on "Stephen King's The Mist" [January 2007] |
6 | Has directed 2 actors in Oscar-nominated performances: Morgan Freeman (Best Actor, The Shawshank Redemption (1994)) and Michael Clarke Duncan (Best Supporting Actor, The Green Mile (1999). |
7 | Is good friends with movie poster artist Drew Struzan. |
8 | He was born in 1959 in a refugee camp in France, where his parents were briefly resettled after the Soviet crushing of the 1956 Budapest uprising. |
9 | Good friends with Stephen King. |
10 | His first novella "Walpuski's Typewriter" was published in 2005. |
11 | The Shawshank Redemption (1994) is ranked #23 on the American Film Institute's 100 Most Inspiring Movies of All Time. |
12 | The D-Day sequence at Normandy, in Steven Spielberg's Saving Private Ryan (1998), was an addition that Darabont himself proposed during script revisions. |
13 | After closely working for more than a year with Steven Spielberg on a script for Indiana Jones and the Kingdom of the Crystal Skull (2008), the script was personally rejected by producer George Lucas who had taken it upon himself to rewrite the script to his liking. Spielberg loved the script, but deferred to longtime pal Lucas on the matter. |
14 | Wrote a draft of the screenplay for Collateral (2004). |
Writer
Title | Year | Status | Character |
---|---|---|---|
The Walking Dead | TV Series developed by - 91 episodes, 2010 - 2017 written by - 3 episodes, 2010 - 2011 creator - 1 episode, 2017 teleplay - 1 episode, 2010 teleplay by - 1 episode, 2010 | ||
Mob City | TV Series created by - 6 episodes, 2013 written by - 3 episodes, 2013 | ||
The Mist | 2007 | screenplay | |
The Adventures of Young Indiana Jones: The Phantom Train of Doom | 1999 | Video written by | |
The Green Mile | 1999 | screenplay | |
The Adventures of Young Indiana Jones: Adventures in the Secret Service | 1999 | Video screenplay - segment "Austria" | |
The Adventures of Young Indiana Jones: Daredevils of the Desert | 1999 | Video written by | |
The Adventures of Young Indiana Jones: Oganga, the Giver and Taker of Life | 1999 | Video screenplay - segments "German East Africa", "Congo" | |
Black Cat Run | 1998 | TV Movie story / teleplay | |
The Adventures of Young Indiana Jones: Travels with Father | 1996 | TV Movie written by | |
Mary Shelley's Frankenstein | 1994 | screenplay | |
The Shawshank Redemption | 1994 | screenplay | |
Nightshift Collection | 1994 | Video | |
The Young Indiana Jones Chronicles | 1992-1993 | TV Series writer - 5 episodes | |
Tales from the Crypt | TV Series teleplay - 1 episode, 1992 screenplay - 1 episode, 1990 | ||
Two-Fisted Tales | 1992 | TV Movie segment "Showdown" | |
The Fly II | 1989 | screenplay | |
The Blob | 1988 | screenplay | |
A Nightmare on Elm Street 3: Dream Warriors | 1987 | screenplay | |
The Woman in the Room | 1983 | Short writer |
Producer
Title | Year | Status | Character |
---|---|---|---|
The Green Mile: Walking the Mile | 2014 | Video documentary executive producer | |
Mob City | 2013 | TV Series executive producer - 6 episodes | |
The Walking Dead | 2010-2012 | TV Series executive producer - 19 episodes | |
The Mist | 2007 | producer | |
Raines | 2007 | TV Series executive producer - 1 episode | |
Collateral | 2004 | executive producer | |
The Salton Sea | 2002 | producer | |
The Majestic | 2001 | producer | |
Walking the Mile | 2000 | Video documentary short executive producer | |
The Green Mile | 1999 | producer | |
Black Cat Run | 1998 | TV Movie executive producer |
Director
Title | Year | Status | Character |
---|---|---|---|
Mob City | 2013 | TV Series 4 episodes | |
The Walking Dead | 2010 | TV Series 1 episode | |
The Mist | 2007 | ||
The Shield | 2007 | TV Series 1 episode | |
Raines | 2007 | TV Series 1 episode | |
The Majestic | 2001 | ||
The Green Mile | 1999 | ||
The Shawshank Redemption | 1994 | ||
Nightshift Collection | 1994 | Video | |
Buried Alive | 1990 | TV Movie | |
The Woman in the Room | 1983 | Short |
Miscellaneous
Title | Year | Status | Character |
---|---|---|---|
The Huntsman: Winter's War | 2016 | script doctor - uncredited | |
Godzilla | 2014 | script doctor - uncredited | |
Never Sleep Again: The Elm Street Legacy | 2010 | Video documentary archival material provided by | |
When Darkness Came: The Making of 'The Mist' | 2008 | Video documentary short archival materials & photos provided by | |
Miracles and Mystery: Creating 'The Green Mile' | 2006 | Video documentary materials | |
Collateral | 2004 | script doctor - uncredited | |
Minority Report | 2002 | script doctor - uncredited | |
Saving Private Ryan | 1998 | script doctor - uncredited | |
The Fan | 1996 | script doctor - uncredited | |
Eraser | 1996 | script doctor - uncredited | |
Hell Night | 1981 | production assistant |
Actor
Title | Year | Status | Character |
---|---|---|---|
The United Monster Talent Agency | 2010 | Short | Director #1 |
Entourage | 2008-2009 | TV Series | Frank Darabont |
King Kong | 2005 | Gunner | |
Vampires | 1998 | Man with Buick | |
The Shining | 1997 | TV Mini-Series | Special Appearance |
Art Department
Title | Year | Status | Character |
---|---|---|---|
Trancers | 1984 | art department assistant | |
Crimes of Passion | 1984 | set dresser |
Transportation Department
Title | Year | Status | Character |
---|---|---|---|
The Seduction | 1982 | transportation captain - as Frank A. Darabont |
Thanks
Title | Year | Status | Character |
---|---|---|---|
Nosferatu vs. Father Pipecock & Sister Funk | 2014 | special thanks | |
Zombie Whisperer | TV Series special thanks - 1 episode, 2012 additional thanks - 1 episode, 2012 | ||
2001 Maniacs: Field of Screams | 2010 | special thanks | |
Dark Country | 2009 | special thanks | |
The Outlaw Emmett Deemus and the Porno Queen | 2008 | Short very special thanks | |
Warner at War | 2008 | TV Movie documentary special thanks | |
Drew Struzan: An Appreciation of an Artist | 2008 | Video documentary short special thanks | |
Monsters Among Us: The Creature FX of 'The Mist' | 2008 | Video documentary short special thanks | |
The Horror of It All: The Visual FX of 'The Mist' | 2008 | Video documentary short special thanks | |
The Mist: Taming the Beast - The Making of Scene 35 | 2008 | Video documentary short special thanks | |
When Darkness Came: The Making of 'The Mist' | 2008 | Video documentary short special thanks | |
Promoting Dystopia: Rendering the Poster Art | 2007 | Video documentary short special thanks | |
Star Trek New Voyages: Phase II | 2007 | TV Series special thanks - 1 episode | |
Horrors of War | 2006 | thanks | |
RKO Production 601: The Making of 'Kong, the Eighth Wonder of the World' | 2005 | Video documentary special thanks | |
La femme dans la chambre | 2005 | Short special thanks | |
Made Men: The 'GoodFellas' Legacy | 2004 | Video documentary short special thanks | |
An American Rhapsody | 2001 | the producers and director wish to thank | |
The Mask | 1994 | special thanks |
Self
Title | Year | Status | Character |
---|---|---|---|
On Story | 2014 | TV Series | Himself |
Drew: The Man Behind the Poster | 2013 | Documentary | Himself |
Fear Himself: The Life and Crimes of Freddy Krueger | 2012 | Video short | Himself |
Hollywood's Best Film Directors | 2011 | TV Series | Himself - Interviewee / Film Director |
Nightmare Factory | 2011 | TV Movie documentary | Himself |
Clint Eastwood's West | 2011 | Video documentary short | Himself |
Last Call with Carson Daly | 2010 | TV Series | Himself |
Post Mortem with Mick Garris | 2010 | TV Series | Himself |
The Making of The Walking Dead | 2010 | Documentary short | Director / Producer / Writer |
Project: Comic-Con | 2010 | TV Series | Himself - Interviewee |
More Tales from the Script | 2010 | Video documentary | Himself |
Bob Burns' Hollywood Halloween | 2009 | Video documentary | Himself |
Tales from the Script | 2009 | Documentary | Himself |
Starz Inside: Fantastic Flesh | 2008 | TV Movie documentary | Himself |
Drew Struzan: An Appreciation of an Artist | 2008 | Video documentary short | Himself |
Monsters Among Us: The Creature FX of 'The Mist' | 2008 | Video documentary short | Himself |
The Horror of It All: The Visual FX of 'The Mist' | 2008 | Video documentary short | Himself |
The Mist: Taming the Beast - The Making of Scene 35 | 2008 | Video documentary short | Himself |
When Darkness Came: The Making of 'The Mist' | 2008 | Video documentary short | Himself |
Dangerous Days: Making Blade Runner | 2007 | Video documentary | Himself |
Deck-A-Rep: The True Nature of Rick Deckard | 2007 | Video documentary short | Himself |
Nexus Generation: Fans & Filmmakers | 2007 | Video documentary short | Himself |
Up Close with Carrie Keagan | 2007 | TV Series | Himself |
Miracles and Mystery: Creating 'The Green Mile' | 2006 | Video documentary | Himself |
Recreating the Eighth Wonder: The Making of 'King Kong' | 2006 | Video documentary | Himself |
100 Porsches and Me | 2006 | TV Movie documentary | Himself |
The Sci-Fi Boys | 2006 | Documentary | Himself |
RKO Production 601: The Making of 'Kong, the Eighth Wonder of the World' | 2005 | Video documentary | Himself |
Dinner for Five | 2005 | TV Series | Himself |
Ray Harryhausen: The Early Years Collection | 2005 | Video documentary | |
Made Men: The 'GoodFellas' Legacy | 2004 | Video documentary short | Himself - Director |
Behind the Tunes: Man from Wackyland - The Art of Bob Clampett | 2004 | Video documentary short | Himself |
Hope Springs Eternal: A Look Back at 'The Shawshank Redemption' | 2004 | Video documentary short | Himself |
The Shawshank Redemption: Behind the Scenes | 2004 | Video short | Himself |
Artifact from the Future: The Making of 'THX 1138' | 2004 | Video documentary short | Himself |
Charlie Rose | 2000-2004 | TV Series | Himself - Guest |
Irreverent Imagination: The Golden Age of the Looney Tunes | 2003 | Video documentary | Himself |
HBO First Look | 2001 | TV Series documentary | Himself |
The 100 Greatest Films | 2001 | TV Movie documentary | Himself |
Shawshank: The Redeeming Feature | 2001 | TV Movie documentary | Himself |
Walking the Mile | 2000 | Video documentary short | Himself - Writer / Director |
The 72nd Annual Academy Awards | 2000 | TV Special | Himself - Nominee: Best Picture & Best Adapted Screenplay |
The Miracle of 'The Green Mile' | 1999 | TV Short documentary | Himself |
Stephen King: Shining in the Dark | 1999 | TV Movie documentary | Himself |
The Directors | 1997 | TV Series documentary | Himself |
The 52nd Annual Golden Globe Awards | 1995 | TV Special | Himself - Nominee: Best Screenplay |
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
The Green Mile: Walking the Mile | 2014 | Video documentary | Himself |
Never Sleep Again: The Elm Street Legacy | 2010 | Video documentary | Himself |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2011 | AFI Award | AFI Awards, USA | TV Program of the Year | The Walking Dead (2010) |
2007 | Fright Meter Award | Fright Meter Awards | Best Director | The Mist (2007) |
2001 | Readers' Choice Award | Mainichi Film Concours | Best Foreign Language Film | The Green Mile (1999) |
2000 | Critics Choice Award | Broadcast Film Critics Association Awards | Best Screenplay, Adapted | The Green Mile (1999) |
1996 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film | The Shawshank Redemption (1994) |
1996 | Readers' Choice Award | Kinema Junpo Awards | Best Foreign Language Film | The Shawshank Redemption (1994) |
1996 | Mainichi Film Concours | Mainichi Film Concours | Best Foreign Language Film | The Shawshank Redemption (1994) |
1995 | Studio Crystal Heart Award | Heartland Film Festival | The Shawshank Redemption (1994) | |
1995 | Hochi Film Award | Hochi Film Awards | Best Foreign Language Film | The Shawshank Redemption (1994) |
1995 | Humanitas Prize | Humanitas Prize | Feature Film Category | The Shawshank Redemption (1994) |
1995 | Literary Award | PEN Center USA West Literary Awards | Screenplay | The Shawshank Redemption (1994) |
1995 | USC Scripter Award | USC Scripter Award | The Shawshank Redemption (1994) | |
1994 | ACCA | Awards Circuit Community Awards | Best Adapted Screenplay | The Shawshank Redemption (1994) |
Nominated Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2013 | OFTA Television Award | Online Film & Television Association | Best Writing in a Drama Series | The Walking Dead (2010) |
2011 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Dramatic Series | The Walking Dead (2010) |
2011 | TV Quick Award | TV Quick Awards, UK | Best New Drama | The Walking Dead (2010) |
2011 | WGA Award (TV) | Writers Guild of America, USA | New Series | The Walking Dead (2010) |
2008 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Director | The Mist (2007) |
2001 | Nebula Award | Science Fiction and Fantasy Writers of America | Best Script | The Green Mile (1999) |
2000 | Oscar | Academy Awards, USA | Best Picture | The Green Mile (1999) |
2000 | Oscar | Academy Awards, USA | Best Writing, Screenplay Based on Material Previously Produced or Published | The Green Mile (1999) |
2000 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Director | The Green Mile (1999) |
2000 | Bram Stoker Award | Bram Stoker Awards | Screenplay | The Green Mile (1999) |
2000 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | The Green Mile (1999) |
2000 | OFCS Award | Online Film Critics Society Awards | Best Adapted Screenplay | The Green Mile (1999) |
2000 | USC Scripter Award | USC Scripter Award | The Green Mile (1999) | |
1999 | ACCA | Awards Circuit Community Awards | Best Adapted Screenplay | The Green Mile (1999) |
1998 | OFTA Television Award | Online Film & Television Association | Best Direction of a Motion Picture or Miniseries | From the Earth to the Moon (1998) |
1995 | Oscar | Academy Awards, USA | Best Writing, Screenplay Based on Material Previously Produced or Published | The Shawshank Redemption (1994) |
1995 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | The Shawshank Redemption (1994) |
1995 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | Mary Shelley's Frankenstein (1994) |
1995 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | The Shawshank Redemption (1994) |
1995 | CFCA Award | Chicago Film Critics Association Awards | Best Screenplay | The Shawshank Redemption (1994) |
1995 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | The Shawshank Redemption (1994) |
1995 | WGA Award (Screen) | Writers Guild of America, USA | Best Screenplay Based on Material Previously Produced or Published | The Shawshank Redemption (1994) |
1994 | ACCA | Awards Circuit Community Awards | Best Director | The Shawshank Redemption (1994) |
1991 | WGA Award (TV) | Writers Guild of America, USA | Anthology Episode/Single Program | Tales from the Crypt (1989) |
2nd Place Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2000 | SEFCA Award | Southeastern Film Critics Association Awards | Best Adapted Screenplay | The Green Mile (1999) |
FRANK DARABONT IS NOT NOW, NOR HAS HE EVER BEEN, MARRIED TO KARYN (or Karin) WAGNER. PLEASE CORRECT. WIFE IS SARAH RAE FOSTER, actress & pro dancer